Sunday, 26 March 2017

Photographic storyboard (Gabrielle Chambers)



At the start there is an Establishing shot where the camera Pans over the sunset.





The camera then goes to a couple walking into a restaurant, this is a long shot.


There is then a low angle shot looking over the couple looking at the menu.


There is then a mid shot under the table of the wife stroking the males leg.


There is then another low angle shot looking over the couple ordering their meal.


There is then an over-the-shoulder shot of the couple where the wife is seen to be leaning in closer to the male.


There is then another pan shot where the camera pans across the couple when in conversation. 


There is then a mid-shot of the couple clinking their glasses together.


There is yet again another mid shot where the phone lights up as the male gets a message.


There is then an over-the-shoulder shot to show the male texting another female.




There is then an extreme close up onto the phone showing the audience that the male is cheating on his wife.


There is then another mid-shot where the male is seen to be quickly asking for the bill.


This is then followed by a similar mid-shot of the couple getting the bill.


There is then an extreme close up of the woman watch to represent that she is becoming impatient with the male.


The camera then goes back to the mid-shot of the male paying for the bill.


The camera then goes back to the couple walking out of the restaurant, this is a long shot.


There is then a close up of the males legs walking to represent hes going somewhere.


There is then a tilt shot where the camera tilts up as the male walks past.


There is then a long shot as the other female exits the station.


There is then another long shot of the male coming round a corner looking for the other female.



There is then a mid shot of the male and female hugging to represent to the audience that he is cheating.


There is then a mid shot of the female looking up this shows the audience that she knows hes cheating.

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